Friday, 16 March 2012

Producers at The Wardrobe - 15th March 2012



Supergroup Producers may look like four ordinary men, no trendy haircuts or sunglasses indoors, but the combined knowledge about music production and recording they hold is immense. Luckily for Leeds College of Music students they dropped in for a question-and-answer session ahead of their gig at the Wardrobe to regale them with stories about working with Paul McCartney and discuss the advantages and disadvantages of analogue verses digital recording.


The band was set up to have fun and that is clearly evident when they take to the stage. Although they obviously love having an audience, you get the feeling that if it was an empty room they would still play as scrupulously as this is a band that has nothing to prove. They have already cemented their place as industry greats with over 200 hit songs between them, countless awards and accolades with Trevor Horn even receiving an CBE for services to the music industry last year.


The gig is impossible to fault, as producers the sound they create is so slick that you could shut your eyes and you would think you are listening to the record. The four of them, supported by three female singers, move seamlessly through some of the songs from their back catalogue of productions and throw in a few new ones written for the album that’s released in May.

The range of styles showcased highlights how truly amazing musicians they are, with the young and energetic Ash Soan being the perfect drummer to bridge all these different styles impeccably. From the ethereal tones of I’m Not In Love to the reggae feel of The Dean and I both courtesy of Lol Crème and 10cc, there is some diva dance with Grace Jones’s hit Slave To The Rhythm and they even chuck in some Euro pop with All The Things She Said originally sung by tATu.

The new material is a heady blend of country, soft rock and funk. Full of melody and harmonies the songs have the feel of a lazy sunny day that is full of contentment and positivity.

Throughout the set you can see the friendship that has developed after working with each other through the years. They may not be the most virulent of bands, there are a few memory lapses, the gig was over by 9pm and Trevor Horn did have to tape his glasses to his face to stop them falling off but there is no denying the talent ingrained in them and it’s inspiring to watch them play live.










Published in Yorkshire Evening Post 

Friday, 9 March 2012

Emeli Sandé Interview




Having already penned songs for Cheryl Cole, Tinie Tempah, Professor Green, Leona Lewis and Susan Boyle, Emeli Sandé has already made her name for herself as a remarkable songwriter. Now she is making a name for herself as an exciting artist with her debut album Our Version of Events going to straight to number 1 on itunes, UK tour planned in April and the receiving the Brits Critics Choice Award. When we get to speak to her she is effortlessly friendly as she talks about her song writing process and performing with X-Factor.

Has everything that has happened to you in the last six months sunk in?
Not really, it’s all been happening so fast, it’s hard to really take it in. Last night I got to go home to my family home up in Aberdeenshire, moments like that I can really stop and take things in.

How did you feel the first time you saw an advert for your album?
It was quite bizarre. We were driving through London and there was one of these massive ones at Shepherds Bush. It’s crazy, I don’t know how to feel about it all, it’s almost like it wasn’t me.

You were met with some resistance from your record label when you wanted to become a recording artist, how did you deal with that?
It was difficult but I was really lucky that I was surrounded by people that really believed in what I was doing, they never really let me get disheartened by anything. Also just really believing in the music I was doing and believing in myself. It was tough at points but mainly it was the team around me.