Friday 27 April 2012

The Staves Interview




The Staves are three sisters known for their stunning harmonies and folk infused melodies. Although relatively new on the music scene, they have toured with Willy Mason, Joshua Radin and have just been announced as the US support for Bon Iver. To find out about the disadvantages of working with your sisters and why pop music is dead we spoke to oldest sister Emily Staveley-Taylor.

When did the three of you start singing?
We got started just singing around the house, singing to whatever mum and dad were listening to, which was a lot of Beatles, a lot of Simon and Garfunkel, just loads of sixties pop and Motown. Our parents would have parties and the guitars would come out and we would all have a sing song, it was a sociable thing to do, just to sing together. We did a gig of covers and just thought it was great, bit-by-bit we replaced the covers with songs we had written ourselves. A couple of years ago we decided to really give it a go and work hard on this.

Do you have a main songwriter?
We all chip in, it’s a fairly collaborative process really. It was strange when we started writing songs as I was at university at Manchester and Millie and Jess were both still at school in Watford. I would come home and either Jess or Millie had written something then we would kind of arrange it for the three of us and in doing that the song would change anyway. Then Jess went off to university and I moved back to Watford. It’s always been quite disjointed, it’s only been in the last year or so that we have been physically in the same place together to even get a feel of what our writing process together really is. It’s always been really different, either we will sit in a room and in 3 hours we will bash out a song completely together or it will be almost entirely one persons work, which will be brought to the table and given The Staves treatment.

What are the advantages and disadvantages of being sisters?
I guess one of the main advantages is swapping clothes and all that stuff. It’s just nice to spend time with people who know you inside out, who you don’t have to explain anything to, you just look at them and they know, you never really need to talk about it, what’s going on in your head or what you think about a song. It makes things work quicker because you don’t have to go into it. Also if you are really annoyed, which happens, you can tell them pretty forcefully and know that it’s going to be alright, I wouldn’t talk to my friends the way I speak to them. The disadvantages are that you fight, you squabble all the time, over what music to listen to in the van or what songs we should play, everything that kids squabble about.

Saturday 21 April 2012

Miles Kane Interview



Miles Kane was in danger of always being known as Alex Turner’s mate after they got together to form The Last Shadow Puppets when Kane’s two previous bands had collapsed.
He fought back and his debut album showed the music industry that he was an artist in his own right. After a successful tour he is back with a new EP and writing his second album. We chatted to him to find out how his life has changed in the last few years and how he lost confidence after his second band broke up.
What’s the feel of the new single?
It’s called First Of My Kind and it’s going to be out in April for when we do this tour, it was written at the back end of last year on tour and when we got back from Australia we went into the studio and recorded it. It was a toss up between this song and another one called Woman’s Touch but we went for this one and I am glad we did as it turned out great. It was a track where we could try things and we got brass on it and a gospel choir. It was a bit of an experiment really but it turned out okay.
It feels like you’re not holding anything back on this track?
Yeah, not at all, that was something that I wanted to get across because lyrically it’s a bit of a statement. I think all the songs that are coming through are like that at the minute. I don’t want to hold back at all, I really want to let it go and be full-on, that’s just because it’s the way I’m feeling.
Did you feel like you had a point to prove with the first album?
I definitely did feel that and the people around you believe it but some people didn’t. I think it’s turned a lot of heads and that feels great, but you’re only as good as your last record. We have come to the end with that one now and I’m thinking ahead to the second record. I want the second one to beat the first one.

Saturday 7 April 2012

Professor Green Interview



Stephen Manderson aka Professor Green has been credited with giving the UK’s hip hop scene a much-needed boost, managing to cross over from being an underground grime artist to having two highly charting albums and finding a celebrity girlfriend. 


You have just got back from Australia. How was it?
Australia was wicked, the shows were incredible. The crowds over there, they’re not spoilt, so they really go for it.
How far along is the third album?
I don’t ever really stop recording. I don’t get that much time to do it but over Christmas and New Year when everyone was taking time off I just knuckled down and got about eight songs done.
Have you approached this album differently from the first two?
I think I’m more comfortable and confident in what I do. I am not anywhere near complacent though. I just think I have kind of found my voice and I enjoy the process a little bit more because of that, but nothing that much has changed.
How does it feel when fans say your music has helped them through a rough patch?
It’s quite scary. It’s a lot of responsibility isn’t it?
It’s a weird one, when Read All About It [the song is about his childhood and his father’s suicide] first came out I remember a girl who tweeted me saying it inspired her to reach out to her father. Whether he replies or not is fine, because of me she has made that effort. She didn’t ever want to be in that position where she hadn’t taken that last chance, whether it ends up hurting her more or not, at least she has made that effort. I never expected anything to affect anyone in that way.
I will be honest with you, making music is quite selfish. I’m not out here trying to save the world. For me it’s quite cathartic, which in a sense is selfish – it helps me figure out a lot. Putting things on paper helps me make sense of what’s going on inside, talking to people has never really been that much help to me. Even though it’s helping people, it’s still quite a selfish act.

Wednesday 4 April 2012

Bad for Lazarus - My Muddle

 
Putting Bad For Lazarus new single ‘My Muddle’ into a genre isn’t easy and that’s because it really doesn’t belong in one, apart from ‘fucking awesome music’.  The band themselves are made up of a tapestry of ex-members of Nine Inch Nails, The Eighties matchbox B-Line Disaster and UNKLE so maybe that goes someway in understanding the musical mayhem pouring from them. The band say they sound like Motown Hell “because we like Motown and we like Richard Hell” and that’s probably as accurate a description as you are going to get. The adrenaline of punk meets the groove of Soul, add in some determined heavy guitars and rock vocals and you have the start of what the band have created.
It isn’t a song to symbolise how shit the economy is or one you are likely to hear in Starbucks but one to turn up loud and one that’s going to make you smile. It’s unadulterated, undiluted, beautifully chaotic fun. Check out the video exclusively at NME before it’s release on 7th November, I double dare you
http://www.nme.com/nme-video/bad-for-lazarus---my-muddle/1911386920001