The theatrical setting of the Gaslight Club is perfect for
hosting Sam Sallon who glides onto the stage in dark jeans and a black jacket,
looking a little like Russell Brand’s more attractive and better-groomed
brother. Candles flicker inside and behind the stage snow can be seen gently
falling on the road outside. As soon as Sam starts playing there is something
mesmerising about him and the setting only adds to the magical quality he is
filling the room with tonight.
His songs are more like stories, full of observational
lyrics where Sam is the messenger. ‘Just the Same’ talks about how life is
finite and that’s something we share with everyone in the planet, it sounds
like the soundtrack to a beautiful eschatological dream. ‘Long Way Down’ is
another song that stands out for its simple arrangement yet powerful content.
He has a very accomplished finger picking style, not
showboating but very skilled. Rather than using vocal runs or tricks, he lets
the natural tone of his warm voice shine through. He teases the audience with
his voice barley a whisper then let’s his voice rise, using it for emphasis and
not just effect. To put emotion into the songs he uses clever lyrics and
interesting melodies, not relying on clichés or key changes. The melodies he
goes for aren’t the obvious ones but he makes them work so at the same time
they sound new yet recognisable.
Having never been a fan of whistling it is surprising to
hear it used so well in Sam songs. It’s used perfectly in the tracks and his
music had a holistic quality, everything works in harmony and complements each
other. His music is pure and unadulterated, his lyrics wistful and intelligent,
a true raconteur and a striking example of musical talent.
